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There is an inherent paradox when working with so responsive a material as clay. Traces of touch - fingerprints, knuckle marks - are formed, moment by moment, with relentless fidelity. Such intimate contact of hand and clay remains far beyond the process, beyond even the life of the artist; it is a permanent record of human impermanence.                                                                                                         - Susannah Israel, MFA Thesis

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Year of the Golden Rabbits

Installation, Black Bean Gallery, San Jose, California

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